Your last month of listening holds a pattern you have probably never put into words.
So does every algorithm that has ever recommended you a song. It just never tells you, because what it knows about you is a row of numbers no person can read.
Here a month of someone's listening is read back line by line, with the plays behind every line. Keep what fits, reject what doesn't, and carry what is left into a prompt.
TRY IT ON A MONTH THAT ISN'T YOURS.
THE HEARING TESTS
Then find out which words in a prompt you can actually hear.
What you can hear decides which words in your prompt are worth spending.
Not a personality. Not a vibe. Four machines, each measuring one thing Hume said a real judge needs: whether a famous name can move your ratings, whether your ears can catch damage when nobody tells you where it is, how small that damage can get before you lose it, and whether the gaps you hear fall where a critic's did. You can be wrong, and that is the point.
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